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The site slopes eastwards down from Leimbachstrasse to the river Sihl and forest beyond. To exploit light and views, the two blocks are placed along the west and north edges of the site defining a large communal garden. Clad in a reptilian skin of greenish grey slate and partly dug into the slope, the blocks have a topographic quality that abstracts the roll and heave of the surrounding hills. Each block consists of three sub-units which are kinked slightly in plan like a derailed train. Angular roof profiles also break up any potential monotony, as do the generous balconies set at regular intervals into slate-clad facades.

However, the concept of lightness is changing. As Italo Calvino observes, ‘The second industrial revolution, unlike the first, does not present us with such crushing images as rolling mills and molten steel, but with “bits” in a flow of information travelling along circuits in the form of electronic impulses. ’1 As in all areas of our lives, the processes of design, fabrication and assembly of metal structures and cladding are being dramatically altered by these weightless bits. Gehry’s Bilbao Guggenheim (AR December 1997) fired the public imagination of an architecture for the future.

Ebook] The Architectural Review - Sellection(2002-2005) HONOURABLE MENTION TAMBABOX , T AMBACOUNDA , SENEGAL A RCHITECT EX . studio was possibly the most eye-catching and unusual of all the premiated submissions. This witty, humorous response to the visual richness of Senegalese culture elicited a warm glow from the judges; indeed, what’s not to like about a glorious technicolour Tambabox? The savannah region of eastern Senegal may be one of Africa’s poorest, yet it is culturally prosperous, mainly due to the preservation of indigenous crafts and customs, but also because of its geography, which encourages encounters and exchanges with five neighbouring countries, including Gambia and Mali.

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The Architectural Review - Sellection 2002-2005


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